Remote Viewing 'Lucifer' (Updated)
Updated: Jul 27, 2021
Angels, Gods, and Demons Part II
Lucifer translates from Latin as "light bringer" and also the "morning star". It is closely associated with the planet Venus. In the ancient Greek, Venus was called Phosphoros, or the "light-bringer", and Heosphoros, or "dawn-bringer". Often "personified and considered a god" and in some cases considered "a son of Aurora (the Dawn)" and "by the Roman poet Catullus for the planet in its evening aspect, "Noctifer" (Night-Bringer), in Christian Theology, Lucifer is associated with the Devil. In poetry, it is often cited as 'heralding the dawn'.
Thus, with these varying and complex points, viewing of this subject matter is tricky to say the least (though not to say undesirable). I was tasked with this unknown target in 2020 and was at least familiar with the light-bringer interpretation on a basic level. At any rate, the session I completed came through fairly strongly and seemingly I was on some major aspect of the signal line, that much was clear, even if the result was just some scribbles on a whiteboard. After forgetting about it for some months, I decided to re-task it to someone else (Jemma Warner) for comparison. The result was also interesting. Later, I did an on-the-fly viewing. In other words, I projected my consciousness into the subject, not to obtain usable data, but rather just to see what other impressions surfaced. That evening I had rather unpleasant dreams (uncharacteristically so), so coupled with that and the nature of the complex subject matter I decided not to re-task it to anyone else. Certainly picking up on and latching to some uglier aspect of this menagerie was possible.
Moving on, the scriptural basis for applying the Satanic understanding of Lucifer as a fallen angel is from the passage of Isaiah 14:12:
“How you are fallen from heaven, O Day Star, son of Dawn! How you are cut down to the ground, you who laid the nations low!” -Catholic Douay-Rheims version.
Some would argue this motif is also compared to the king of Babylon. While in the New Testament, Luke 10:18 states: “And he said to them, ‘I saw Satan fall like lightning from heaven.’”
From Wikipedia: "...the Latin word was not used exclusively in this way and was applied to others also, including Jesus: the Latin (Vulgate) text of Revelation 22:16 (where English translations refer to Jesus as "the bright morning star") has stella matutina, not lucifer, but the term lucifer is applied to Jesus in the Easter Exultet and in a hymn by Hilary of Poitiers that contains the phrase: "Tu verus mundi lucifer" (You are the true light bringer of the world)."
The word also appears in early Christian hymns as a title of Jesus. The morning hymn Lucis largitor splendide of Hilary contains the line: "Tu verus mundi lucifer" (you are the true light bringer of the world). Some interpreted the mention of the morning star (lucifer) in St. Ambrose's hymn, Splendor paternae gloriae, "a beautiful morning hymn asking for help and guidance throughout the day. It is directed to the Trinity, and especially to Christ as the light of the world. The hymn is traditionally sung at Monday Lauds and is used in the Liturgia Horarum at Lauds for Monday of the first and third weeks of the Psalter during Ordinary Time."
The Latin version of lucifer is also apparently used with respect to Jesus in the Easter Proclamation prayer to God and the paschal candle: "Flammas eius lucifer matutinus inveniat: ille, inquam, lucifer, qui nescit occasum. Christus Filius tuus, qui, regressus ab inferis, humano generi serenus illuxit, et vivit et regnat in saecula saeculorum ("May this flame be found still burning by the Morning Star: the one Morning Star who never sets, Christ your Son, who, coming back from death's domain, has shed his peaceful light on humanity, and lives and reigns for ever and ever")".
"Supporters of Freemasonry assert that, when Albert Pike and other Masonic scholars spoke about the "Luciferian path," or the "energies of Lucifer," they were referring to the Morning Star, the light bearer, the search for light; the very antithesis of dark. Pike says in Morals and Dogma, "Lucifer, the Son of the Morning! Is it he who bears the Light, and with its splendors intolerable blinds feeble, sensual, or selfish Souls? Doubt it not!"(-Wikipedia) Others, however, would claim this as a secret society deception.
Once again we take an observant, neutral view of the subject. The name Lucifer can certainly be used to apply to Satan, as has been for hundreds of years, whether it be as a more widely applying metaphor, or to a specific undesirable entity, and at the most basic level, this greater theme can be seen as a battle of 'good' versus 'evil'. The question really is how does the soup mix together and what pieces are we missing from the historical puzzle.
Now that we have interpretations out of the way, on to the sessions.
Viewing number 1
Target: Who or what is Lucifer?
Original Tasker: Thion
Remote Viewer: John Adams (blind, solo)
To start, I perceived what I wrote as a disinfecting or energetic wide-spanning manifestation, floating or riding on a plane, which seemed to involve a synchronization or alignment, also using the word "a great bubble" of energy. I drew a sphere in the sky above a horizon and then wrote "like a sunrise on water". Also were the words planet, moved, shifted and balanced.
I drew a compass and a fulcrum, or balancing on a see-saw, mega-shift (AOL), and something interplanetary. In essence, it felt to do with the solar system. There is radiation drawn across a flat plane, or landscape, an AOL of plate tectonics, and "Let it roll. Let the dice roll". I wrote "shift of some kind" and had what I think was more of an A.I. of bottles rattling on the table (because of energy in a distance). Then I drew what appeared to be an incredible source of energy that radiated outwards in horizontal directions.
Directly following that, I wrote "charged area, large across the surface, maybe comprising land, atmosphere and sky accompanied with a drawing involving the surface up into the clouds. I heard the phonetic referencing "incredible human beings" and "test-go", whatever that means (I thought having to do with some experimental nature). I got "dragging people up" and the impression the humans were being lifted up in some fashion in an "area of activity". I got "descend and calculate", "vibrate" and "fast vibration". For whatever reason I got the word eclipse (of some kind), and the words tireless, work(ing) tirelessly and tired".
There was a glowing part to this, which felt big, connected and fast. I got the impression, ro rather phonetic to meditate in order to find answers. There was a sense of harmony, and of trust and distrust and an electro-magnetic hum and resonance. When I went to focus on the source of the energy it felt immense and nearly impossible to fathom with the rational linear mind, yet it was quite visceral around it just the edges.
I focused on the source of the energy and had the impression of a ball or sphere. I put that it felt alien, "to us", and it felt agrarian (mostly because I was witnessing energy across wide open fields at night).There were high levels of energy, vibration and a seemingly unending supply. It felt good, infinite and like a monumental source of energy.
Here is my session (sorry about the legibility of this one):
Viewing number 2
Target: Who or what is Lucifer? Describe the history and mythos behind the name.
Tasker: John Adams
Remote Viewer: Jemma Warner (blind, solo)
Jemma's session is composed of six pages. At times it takes on a different tone and began by her having the impression of someone looking down at her smiling, but with the sense of some unease present, blue dots of some kind, multiple people doing activity or work, and warmth and energy. This was followed by corridors, being led somewhere, some kind of construction or something being put together, others around but being separated and partitioned from them, and being inspected (ref. drawing of someone lying a medical table). On her next page she wrote of people coming forward, concerning, cold-hearted and apathetic something being improbable. Some interesting AOL's were star, berated, and Some Kind of Monster (which is creepy when you read the lyrics here). Alternatively, her next page contained the terms grand wealth, energy, waiting for an event (second mention of event), big, spacious, long, and elongated; countdown, clock and watching were AOL's.
Continuing back into the target blind she wrote of the presence of several biologicals and that it felt like they were observing something.
Finally, she had the urge to laugh but was not sure why. Something seemed a bit ridiculous. She had the sensation of energy at the top of her head and the final two words were religion and experimentational (some AOL's being Pink Floyd's Another Brick in the Wall (read the lyrics here), zero gravity and idea).
Jemma's Session is below:
We notice a mix of positive and negative themes present. Of potentially uplifting or cleansing energies, perhaps even an event, against the backdrop of uneasy feelings, subjects intervening, and creepy lyrics coming to the viewer's mind.
In a separate session a remote viewer gives us the following compelling image and details on Enki:
"I perceived a manipulator of genetics/human DNA. He is a designer/artiste and/or akin to a ‘mad scientist’ with human DNA. There is a relation to the cosmos and the idea of sending DNA through a [xxxx]. There seems to be a strong relation to [xxxx]. The target has to do with ‘design’ and human DNA etc. It is related to an effort to develop our DNA/consciousness….like it is a Herculean effort or is symbolically related to us becoming like [xxxx]. There is/was manipulation of mankind on a grand scale…manipulation of the cross-cultural species and the ‘life within’ (i.e.- DNA). The purpose of this manipulation is to bring humankind to a new level and, in the words of the entity, “To enjoy the Universe & Galaxy with the rest of us”.
To him, the snakes were DNA. One possible Masonic interpretation of the compass in the left hand is that represents "an eternal soul manifesting in a temporary body. The circle is our spiritual side that cannot be seen, heard, touched, tasted, or smelled." "...We are fallen angels, sparks of the divine now experiencing the material world, as William Rimmer’s wonderfully esoteric portrait “Evening, Fall of Day” illustrates:
"Enki (also known as Ea, Enkig, Nudimmud, Ninsiku) was the Sumerian god of wisdom, fresh water, intelligence, trickery and mischief, crafts, magic, exorcism, healing, creation, virility, fertility, and art. Iconography depicts him as a bearded man wearing a horned cap and long robes as he ascends the Mountain of the Sunrise; flowing streams of water run from his shoulders, emphasizing his association with life-giving water, while trees representing the male and female principle stand in the background. The streams are interpreted as the Tigris and Euphrates Rivers which, according to one myth, were formed from Enki's semen. His name means "Lord of the Earth" and his symbols are the fish and the goat, both representations of fertility."
"The Akkadian/Babylonian story of The Atrahasis (c. 17th century BCE) gives another version of the creation but, still, Enki plays a pivotal role. In this story, the elder gods live a life of leisure and pleasure while making the younger gods do all the work in maintaining creation. The younger gods have no time to rest because there is always so much to do and so Enki proposes that they create lesser beings who will be co-workers with them." -Worldhistory.org
The Gods enjoying pleasure and living a life of leisure while those below the hierarchy of power is a repeating theme amongst the mythologies and history of the gods.
Another viewpoint would hold more the DNA manipulation as a means of control, which when taken into consideration alongside the meddling seen in countless reported abduction cases is something to reflect on.
Additionally, some similar work pertaining to the topic (by viewer Aaron Donahue) appears in the image below, potentially relating to DNA, and similar enough to Jemma's drawing on page 2 of her session:
Looking at the "how humans evolved" project , as well as Joe McMoneagle's 1984 Mars CIA, as well as other RV projects, we could also draw a connection to the Garden of Eden and the fall of man, seemingly originating from Mars (if not other places too) to a place of lush but strange foliage, eons ago.
The Garden of Eden (Hebrew: גַּן־עֵדֶן – gan-ʿḖḏen) or Garden of God (Hebrew: גַן־יְהוָה – gan-Yhwh), also called the Terrestrial Paradise, is the biblical paradise described in Genesis 2-3 and Ezekiel 28 and 31. Comparisons to Eden are also made in the Bible in Genesis, Isaiah 51:3, Ezekiel 36:35, and Joel 2:3; Zechariah 14 and Ezekiel 47 use paradisical imagery without naming Eden.
The name derives from the Akkadian edinnu, from a Sumerian word edin meaning "plain" or "steppe", closely related to an Aramaic root word meaning "fruitful, well-watered". Another interpretation associates the name with a Hebrew word for "pleasure"; thus the Vulgate reads "paradisum voluptatis" in Genesis 2:8 and Douay–Rheims, following, has the wording "And the Lord God had planted a paradise of pleasure". -Wikipedia
The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens, c. 1615, depicting both domestic and exotic wild animals such as tigers, parrots and ostriches co-existing in the garden.
In summary, these sessions appear to be hits involving themselves somewhere along reality tangent line. It's up to you to determine if any of it makes sense. Don't forget to tune in next to Archangel Gabriel and the...ChickenMan (coming to a drive-in theater near you).